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Her artistic soul first began to emerge from its chrysalis in 2007, when she signed up for a course in raku, a traditional Japanese form of pottery-making. Raku has a rather disjointed and uneven finish so, while the technique gave Silvia the chance to be in direct contact with raw materials, it failed to fire her imagination. It was only when she discovered the simplicity and purity of porcelain that she was finally able to give full rein to her creative urges.

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